That’s where I learned it was an issue and that it was something that some people considered problematic,” he says today. “If a white member of the workshop wrote something from the point of view of an illegal Guatemalan immigrant—as I recall someone did—there were some people who said there were issues of cultural imperialism involved in doing that, that you shouldn’t do that. I understand it politically. I understand the historical context, completely. Artistically, I don’t understand it at all. Because if I can’t write from the point of view of a black woman nurse-midwife, then I can’t write from anybody’s point of view. That’s why I do this. I use my imagination to imagine myself living lives I don’t live and being people who I’m not.